Filmmaking isn’t just about cameras, actions, rules, or screenplays; concepts like background score and music play an equal part in a great film. This time, Oppenheimer and Barbie showcase the versatility of both elements.
Sometimes, a film is remembered because of its music. Just listen to the albums of Ok Jaanu or Fitoor. Even for a film like Tár or Whiplash, if you stream it with your eyes closed, you can visualize it with the intense music and background score.
In terms of music, Oppenheimer and Barbie emerge as two significant winners. Both films have been sweeping awards, keeping the Barbenheimer phenomenon alive. On the Grammy stage, the films show that their battle goes beyond cinematic superiority.
Concerning Oppenheimer’s success, Ludwig Göransson played a crucial role. Like most Nolan films, the sound and background score played an essential part, especially in depicting Oppenheimer’s mental torment. Ludwig excelled at his job, grabbing the Grammy for Best Original Score.
And just when you think things can’t get better, Barbie emerges victorious again.
“What Was I Made For?” – the Billie Eilish song – grabs the Grammy, securing one more win for the Barbie album, in the category of Best Song Written for Visual Media. Though fans hoped “I’m Just Ken” would win, a win is still a win.
The Oscars are approaching, marking the concluding part of the Barbenheimer phenomenon. As both competitions warm-up, a win in music will undoubtedly fuel their enthusiasm.