Khauf Review – Scary But Not Due to Ghosts

BOTTOM LINE: Scary But Not Due to Ghosts
Rating
5 / 10
Skin N Swear
Yes
Horror, Mystery

What Is the Story About?

Madhu is a survivor of gang-rape who is strong enough to start her life anew. She chooses Delhi and lives in horror all the time. A stalker is following her and in the meantime we realise that women are not safe basically anywhere.

She gets a room in a hostel which is very affordable. Little does she know that the room is haunted and the girl who used to live there previously also died.

The other girls in the hostel warn her but she doesn’t vacate the room. The symptoms start to appear and then comes the real ghost, Rajat Kapoor. He is as terrifying as he can be. A maniac with no morals who is ready to use anyone and everyone for his gain.

What happens next doesn’t depend on jump scares but slow burn thoughts.

Performances?

Rajat Kapoor is an exceptional actor. He doesn’t only act through dialogues and body movements but his sheer presence on the screen is beyond amazing. If you remember Anushka Sharma’s Pari, again a horror film then he was oozing out eeriness from the screen.

Same goes for Scam 1992 where he became a force of crumble in the series which is not even remotely horror in the supernatural sense.

This series is no exception to that. He is just a marvel to look at.

Monika Panwar as a small town girl shows the vulnerability that is needed from her. Another actress who stands out is Shalini Vatsa. She plays the hostel warden and she has a certain dread to her personality that is too prominent to ignore.

Even Geetanjali Kulkarni as a police constable whose son is missing is an amazing addition to the cast.

Analysis

Khauf tries to be many things at once a horror series, a suspense drama, and a social commentary. And while it does succeed in parts, it often ends up being a confused mix that loses grip on its main story. The show starts strong with a feminist lens on fear, trauma, and everyday sexism. It talks about women being stalked, judged, silenced, and haunted by both ghosts and men. But as it goes on, the storytelling becomes more messy than meaningful.

The central plot involving Madhuri’s past trauma, her visions, a missing boy, and a mysterious death has potential. Madhuri moves from Gwalior to Delhi for a better life, but ends up battling her past and her present. Her boyfriend Arun is one of the biggest horrors of her life controlling, insecure, and selfish. Yet, the show doesn’t call him out enough. His role in her trauma is brushed aside, like many real-life stories where women are blamed and men are forgiven too easily.

Some characters stand out. Monika Panwar as Madhuri brings raw pain and anger to the screen. Rajat Kapoor is terrifying in his calm evil. Geetanjali Kulkarni adds depth to a cop who is torn between duty and motherhood. But even with good performances, the show suffers from its own ambitions. The creators want to be artsy and experimental, but in the process, the plot drags on endlessly. The mystery is stretched so long that it loses impact.

The horror element works well in the beginning. There are eerie visuals, strong background music, and a constant tension. But after a point, the scares become predictable. The last few episodes try too hard to shock, throwing tragedy after tragedy, which feels more like manipulation than storytelling.

Khauf wants to show the real monsters women face every day men who smile but harm, homes that suffocate, and systems that fail. That part is powerful. But giving women power only after they are broken is a tired, problematic trope. The climax also feels rushed and inconsistent with the rest of the show.

In the end, Khauf is bold and relevant but not always effective. It raises important questions but forgets to answer them properly. It’s haunting, yes but not always in the way it intends.

Music and Other Departments?

The music and the overall setting of the show is very nicely done. It is well done to an extent where you hardly have any complaints at all.

The darkness, the bgm, the slow walks and the editing too elevates the horror. But it is not a horror in its traditional sense. It is a horror because it forces you to think about the horrifying truths. In that way, the show is ambitious but the execution messed it up. The makers got so lost in the world of the story that they forgot to keep it centered.

Highlights?

Performances

Concept

Editing

Drawbacks?

Very very slow

Too many drags

Did I Enjoy It?

In parts

Will You Recommend It?

If you are okay with slow burns

Khauf Web Series Review by Binged Bureau

Siddartha Toleti: Perennially besotted with movies, I can’t imagine a day going by without watching one. Passion led to film reviews. The evolution has brought me on the digital platform. Alternatively, I love listening to music from the golden era of Hindi cinema, and Maestro Ilaiyaraja.