It has been long since we have last had a true 3D film made in India (especially a live-action one and not animated). Mohanlal’s Barroz promises to quench this thirst by bringing a mythological children’s fantasy film in 3D. The film has been directed by Mohanlal himself who plays the titular role as well. Considering the fact that after a long time Indians will get to experience a proper 3D movie, it is worth thinking over whether the promise of being a 3D film will be enough for the movie to be a hit.
The film follows a spirit named Barroz (played by Mohanlal) who is responsible for guarding the treasure of Vasco da Gama. He is to pass on the treasure to the descendent of da Gama and then retire. After guarding it for 400 years, he comes around a girl calling herself the descendent of da Gama and Barroz must investigate the ancestry of the girl to find out whether or not she truly is a descendent of da Gama and then pass on the treasure to her.
The film seems like the nostalgic movies that we used to watch in our childhood like Bhoot and Friends (which had quite the similar plot). For GenZ kids, the film will be something nostalgic that they can enjoy, whereas the main target (children) will find the film amusing through its peculiar narrative and fantasy elements.
If the film tends to rely on it being a 3D film, and tries to lure the audience through it, it won’t be that effective strategy. As of now, we can get a good 3D film every now and then from the Hollywood makers. If the people find a lack of quality in this movie (in the aspects of 3D rendering), they will simply go for another movie. Hence, gaining an audience only via 3D being the USP is not viable.
The film can create a good impression by prioritizing its unique and fascinating story and the connection it draws with history. It should focus on the aspects of its magic realism. It is a genre that has worked for many films. Also, the film should focus on children and families more which will form most of their audience.
Though 3D becomes an add-on, it cannot prove to be the USP of the film. Hence, the makers should refrain from marketing it only through this fact.
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