So instead of making a movie that plummeted better by a remake, people have the tendency to improve upon perfection itself. No one asked for it, but Lionsgate is ready to deliver a new adaptation of the 2000 horror comedy American Psycho. As if there isn’t already another movie by the name to serve as a sequel, which fell face first.
The first movie was based on the 1991 novel by Bret Easton Ellis of the same name; while he himself considered his novel to be “unfilmable,” Mary Harron went ahead and did it anyway. And to everyone who has ever thought about “How would the modern audience react to a production similar to American Psycho being released today?” your prayers are about to be answered, as Luca Guadagnino is working on a remake of the original.
Many considered the movie to be too crass and gruesome; others called it unapologetic and reflective. Whatever might be the perception, the movie does not require a new vision. It doesn’t require a desaturated husk that carries its name. Many people are calling it a cheap cashgrab. Others, although looking forward to it, are still reluctant at the thought of the cult classic getting butchered.
Pointing out the “adaptation fatigue,” it seems as if Hollywood has run out of ideas every other day. A new adaptation of a novel is announced. These adaptations include both good and mediocre novels. However, the rampant adaptation streak goes on as Moore titles are added on to it.
Maybe for once, these remake campaigns should shift towards mediocre movies and remaking them into something better. If Hollywood is going for the easy route, perhaps it’s the best course of action. Considering how low the bar is with the story. Otherwise, good luck with the new project compared to the original.
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