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Dear Netflix and JioHotstar, India Still Likes Good Stories

By Binged Bureau - Jul 07, 2025 @ 07:07 pm
Dear Netflix and JioHotstar, India Still Likes Good Stories

As the first half of 2025 draws to a close, a curious trend has emerged in India’s booming OTT landscape. While homegrown platforms like SonyLIV continue their impressive run of delivering critically acclaimed and audience-pleasing shows, and Amazon Prime Video boasts major triumphs with the much-anticipated Paatal Lok Season 2 and the return of the beloved Panchayat Season 4, two of the biggest players — Netflix India and JioHotstar — appear to have hit a creative snag.

For months now, the buzz around Netflix India and JioHotstar has been driven more by their extensive content slates than by actual standout hits.

First, let’s take a closer look at Netflix India’s overall performance in the first half of 2025 in terms of original content delivery. Apart from Rana Naidu Season 2, the platform failed to offer any truly memorable or praiseworthy original Indian series in the first six months of the year.

Dabba Cartel was a mixed bag, and don’t get us started on how bad, flat, and shallow The Royals turned out to be. Even Rana Naidu Season 2 didn’t land as hard as its debut season.

Now, let’s shift our attention to JioHotstar. It seems the platform largely sidelined its Hotstar Specials lineup, dedicating more time and focus to the live streaming of major sporting events and tournaments, especially IPL 2025, the ICC Test Championship 2025, the ongoing India vs England Test Series, and Wimbledon 2025.

Although that’s a whole other debate — one where JioHotstar has arguably failed to satisfy its sports-loving user base with its abysmal streaming quality during these marquee events. Don’t believe us? Just check Twitter (X)!

Under the Hotstar Specials banner, JioHotstar delivered only two buzzy original shows in the first half of 2025: Kanneda and Criminal Justice Season 4. While the latter (led by the great Pankaj Tripathi) received mixed-to-positive reactions, JioHotstar drew heavy criticism for dropping Season 4 episodes weekly.

Other decent titles, such as Mistry and The Secret of the Shiledars, failed to gain widespread acclaim or generate major buzz among viewers.

In contrast, SonyLIV, a streaming platform with less financial muscle and market reach, has completely outperformed streaming giants like JioHotstar and Netflix India when it comes to Indian-made original content.

SonyLIV dropped plenty of noteworthy, praiseworthy, and buzzy Indian originals in the first half of 2025: Bada Naam Karenge, The Waking of a Nation, Chamak: The Conclusion, Black, White and Gray, Kankhajuraa, and The Hunt – The Rajiv Gandhi Assassination Case.

It’s clear that SonyLIV understands the power of Indian original content — the kind that truly sets a platform apart in a saturated OTT market.

Even Prime Video delivered two absolute bangers this year: Paatal Lok Season 2 and Panchayat Season 4.

While acquiring big-ticket titles, securing live sports rights, and expanding content libraries do help in terms of viewership and revenue, it’s the Indian originals that form the emotional core — the content that really connects with the country’s OTT audience.

This mid-year check-in paints a clear picture: while giants like Netflix India and JioHotstar continue to dominate in terms of sheer subscriber base and live event viewership, their commitment to Indian original scripted content seems to have slipped. It’s a strategic gamble, prioritising volume and sports licensing over the consistent, narrative-driven storytelling that once defined the OTT revolution in India.

The constant barrage of technical issues on JioHotstar, especially during its tentpole live sports events, only adds to the perception of a platform struggling to balance scale with a quality user experience.

Meanwhile, platforms like SonyLIV, despite leaner budgets, are proving that sharp creative focus and compelling storytelling still have the power to draw in discerning audiences. Their ability to deliver consistently strong Indian originals, even without blockbuster marketing, speaks volumes about their grasp of the local taste.

The first half of 2025 serves as a crucial reminder for all players: while global catalogues and live sports might attract the crowds, it’s the resonant, well-crafted Indian originals that capture imaginations and build long-term loyalty.

What happens next is key. Will Netflix India and JioHotstar use their massive resources to get back on track and invest in authentic, high-quality local content that makes a platform essential? Or will they keep trailing behind competitors who clearly understand what Indian viewers want?

Because hitting viewership records is one thing, and telling amazing new stories is something else entirely. Stay tuned for more updates.

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