2025 is almost over and we saw a variety of shows this time. We saw returning favourites as well as new ventures. Some were exceptionally well made while others were downright intolerable. We have selected Top 10 Indian series for you to watch. Let us know how you feel about them.
Paatal Lok Season 2
What makes Paatal Lok Season 2 such a strong sequel is its refusal to soften itself for familiarity. It does not chase fan service or try to recreate iconic moments from the first season. Instead, it dives deeper into systemic rot and moral exhaustion, making the story feel even heavier. Jaideep Ahlawat is phenomenal once again, but this time his performance feels more internal and worn down. The writing is relentless, often uncomfortable, and that is exactly why it works. It trusts the audience to sit with its darkness.
Black Warrant
Black Warrant is one of the most jarring Indian shows in recent years, especially coming from Vikramaditya Motwane. It strips away cinematic glamour and forces you to confront the brutal culture inside Indian prisons. Casting a relatively young lead works in the show’s favor, as it mirrors the viewer’s own shock while navigating this world. The series is not interested in heroes or redemption arcs. It is about survival and normalization of violence. That honesty makes it deeply unsettling and powerful.
Delhi Crime Season 3
By its third season, Delhi Crime could have easily become repetitive, but Season 3 proves otherwise. The story is darker, more twisted, and emotionally heavier than before. Shefali Shah remains exceptional, but Huma Qureshi is the real revelation this season. Her performance adds a new texture to the series. The show continues to avoid sensationalism, choosing storyline over shock value. That grounded approach keeps it impactful.
Khauf
Khauf works because it understands that real horror lies in the way humans are, not jump scares. The show builds dread slowly, allowing fear to seep in rather than explode. It did not become very popular but it is easily one of the best shows to have come out this year. It is super dark and Rajat Kapoor is as horrifying as anyone can possibly be.
This Prime Video show reminds us of the early days of OTT and that works in its favour. Its setting feels claustrophobic and emotionally loaded, especially for its female characters. The writing blends psychological trauma with supernatural elements without over-explaining anything. It is unsettling precisely because it leaves questions unanswered. Khauf lingers long after it ends.
The Bastards of Bollywood
This series thrives on its sharp understanding of the film industry’s hypocrisy and entitlement. This Netflix India series came out to be surprisingly good. People just imagined it to be a fancy project that Shahrukh Khan’s son is taking, but the show surpassed expectations. The characters feel exaggerated yet recognisable, which is part of the fun. It balances satire with pure parody. The show’s strength lies in how comfortably it brings us the inside of Bollywood. It is messy, cynical, and oddly honest.
Kankhajura
Kankhajura succeeds by keeping its scale small and its tension tight. It does not rely on big twists but instead focuses on moral ambiguity and character psychology. The show takes its time, trusting silence and pauses more than exposition. Its storytelling feels controlled and deliberate, which adds to the unease. This SonyLIV show rewards patient viewers.
Kuttram Purindhavan
This Tamil series stands out for its emotional stakes and layered storytelling. Kuttram Purindhavan is less about crime as an event and more about guilt as a lingering presence. The performances feel lived-in rather than dramatic. The writing respects the audience’s intelligence and never overexplains its motives.
Kerala Crime Files Season 2
Season 2 of Kerala Crime Files proves that grounded police procedurals still have immense power. The show avoids heroic tropes and focuses instead on process, frustration, and human error. Its realism makes every discovery feel earned rather than convenient. The performances are another great factor. It captures the emotional toll of investigation without melodrama. That realism is its biggest strength.
Maharani Season 4
Maharani continues to be one of the sharpest political dramas on Indian OTT. Season 4 leans fully into power struggles, manipulation, and moral compromise. Huma Qureshi remains commanding, carrying the weight of the narrative effortlessly. The writing understands politics as a long game rather than a series of dramatic moments. It feels cynical but not hopeless.
The Family Man Season 3
In its third season, The Family Man refuses to carry what made the first two seasons so great. And that is why the third season failed to receive love from the audiences. However, it is still one of the best series of the year. What sets it apart is its ability to balance national stakes with domestic chaos. Manoj Bajpayee once again brings the same energy to Srikant, making him deeply human. Season 3 sharpens its political commentary without turning preachy. The humor still lands, but the consequences feel heavier. But it could have been a lot better.
We’re hiring!
We are hiring two full-time junior to mid-level writers with the option to work remotely. You need to work a 5-hour shift and be available to write. Interested candidates should email their sample articles to [email protected]. Applications without a sample article will not be considered.
