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Not COVID But Poor Returns Shifted Attention From Theatres To OTT?

By Binged Bureau - Oct 09, 2024 @ 11:10 am
Not COVID But Poor Returns Shifted Attention From Theatres To OTT?

The shift from theatres to OTT platforms in India wasn’t just a result of the pandemic, and it certainly wasn’t driven by the audience alone. The deeper issue lay in the poor returns filmmakers were experiencing even before COVID-19 disrupted the industry. OTT wasn’t a backup plan—it became a necessary escape route for creators struggling in an environment where theatrical releases no longer guaranteed profits.

Actor Sunny Kaushal recently addressed this, noting that during the pandemic, there was “no way to get your money back” as many films were stuck in production. While the pandemic sped up the migration to streaming, the cracks in the theatrical model were evident long before. The costs of high-budget films were skyrocketing, and films outside the mainstream barely stood a chance at the box office. For filmmakers, the returns simply weren’t justifying the risks.

In 2019, the Indian film industry brought in 183 billion rupees, but only a handful of films saw actual profits. Most successful releases were big-budget franchises or those backed by major stars. Mid-budget, experimental, or niche films found it increasingly difficult to compete. OTT platforms, however, changed the game by offering filmmakers something theatres couldn’t: stability and creative freedom.

Sunny’s remark about OTT becoming the “main space for content consumption” highlights its larger impact. The flexibility that streaming platforms offer has been a lifeline for filmmakers. Instead of tailoring content to fit commercial formulas, directors could explore niche genres and tell stories that would otherwise be sidelined in cinemas. OTT platforms gave room for creative risks, allowing more unconventional films and regional content to thrive.

Additionally, OTT provided a more secure financial model. Filmmakers no longer had to rely on opening weekend box office numbers. Streaming deals and global reach brought in a steady stream of revenue, which became far more appealing than the uncertainty of theatrical releases.

The shift isn’t temporary. A report by EY-FICCI shows the Indian OTT market grew by 29% in 2022, with revenues hitting 17 billion rupees. For filmmakers, the poor returns in theatres weren’t just financial—they were creative constraints. OTT opened up new avenues not only for profitability but also for artistic expression. Streaming isn’t just the present; it’s the future, and it’s here to stay.

 

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