Category
Film
Tv show
Documentary
Stand-up Comedy
Short Film
View All
Genres
Action
Adventure
Animation
Biography
Comedy
Crime
Documentary
Drama
Family
Fantasy
Film-Noir
Game-Show
History
Horror
Kids
Music
Musical
Mystery
News
Reality-TV
Political
Romance
Sci-Fi
Social
Sports
Talk-Show
Thriller
War
Western
View All
Language
Hindi
Telugu
Tamil
Malayalam
Kannada
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bhojpuri
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Haryanvi
Hausa
Hebrew
Herero
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Maltese
Mandarin
Manipuri
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndonga
Nepali
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Other
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Rajasthani
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tatar
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
View All
Release year
2025
1900
Rating
Good
Satisfactory
Passable
Poor
Skip
Yet to Review
View All
Platform
Addatimes platform logo
ALT Balaji platform logo
Aha Video platform logo
Airtel Xstream platform logo
Amazon platform logo
Apple Tv Plus platform logo
Book My Show platform logo
Crunchyroll platform logo
Curiosity Stream platform logo
Discovery Plus platform logo
Jio Hotstar platform logo
Epic On platform logo
ErosNow platform logo
Film Rise platform logo
Firstshows platform logo
Gemplex platform logo
Google Play platform logo
GudSho platform logo
GuideDoc platform logo
Hoichoi platform logo
Hungama platform logo
Jio Cinema platform logo
KLiKK platform logo
Koode platform logo
Mubi platform logo
MX Player platform logo
Lionsgate Play platform logo
Manorama MAX platform logo
Movie Saints platform logo
Nee Stream platform logo
Netflix platform logo
Oho Gujarati platform logo
Planet Marathi OTT platform logo
Rooster Teeth platform logo
Roots Video platform logo
Saina Play platform logo
Shemaroo Me platform logo
Shreyas ET platform logo
Simply South platform logo
Sony LIV platform logo
Spark OTT platform logo
Sun NXT platform logo
TVFPlay platform logo
Tata Sky platform logo
Tubi platform logo
ULLU platform logo
Viki platform logo
Viu platform logo
Voot platform logo
Youtube platform logo
Yupp Tv platform logo
Zee Plex platform logo
Zee5 platform logo
iTunes platform logo
Other platform logo
ETV Win platform logo
Chaupal platform logo
Ultra Jhakaas platform logo
Tentkotta platform logo
Ultra Play platform logo
View All
Close icon
Search

Special Ops 1.5 Review – Kay Kay Menon Redeems An Unremarkable Follow-Up

By Binged Bureau - Nov 12, 2021 @ 09:11 am
5 / 10
Special Ops 1.5 Review – Kay Kay Menon Redeems An Unremarkable Follow-Up
BOTTOM LINE: Kay Kay Menon Redeems An Unremarkable Follow-Up
Rating
5 / 10
Skin N Swear
A few expletives, no skin
Thriller

What Is the Story About?

Disney Plus Hotstar’s ‘Special Ops 1.5‘ is the follow-up edition of Neeraj Pandey’s well-received debut season ‘Special Ops‘. The 4-episode mini-series recounts the origin story of its lead protagonist, RAW agent Himmat Singh (Kay Kay Menon). As Delhi police officer Abbas Sheikh (Vinay Pathak), narrator of the season, says, ‘Special Ops 1.5’ tells us how a rookie Himmat became the Himmat Singh viewers have grown to love so much.

‘Special Ops 1.5’ is produced by Friday Storytellers and Shital Bhatia, created and directed by Neeraj Pandey, co-directed by Shivam Nair, and written by Pandey and Deepak Kingrani.

Performances?

Kay Kay Menon again proves with Special Ops 1.5, why he’s one of the best talents in the film industry currently. In Special Ops 1.5, he delivers a polished, buffed and burnished performance, the kind only he can. He’s the redeeming factor of an otherwise unremarkable second edition of the spy series. Kay Kay Menon is the reason viewers will be compelled to watch the whole mini-series and not switch off after an episode or two.

Aftab Shivdasani is very good as Himmat Singh’s co-agent Vijay, though his role needed more teeth to really make a lasting impact. Vinay Pathak is excellent as usual. He delivers some of the best lines of the show with his tredmark poker-faced blandness. Adil Khan as primary antagonist, Maninder Singh, has more style and less substance to him. It’s quite a forgettable and unimpactful outing for him. Aishwarya Sushmita is strictly OK as honey-trapping siren Karishma, as is Shiv Jyoti as Anita.

Analysis

If you loved Special Ops and spent the last year eagerly waiting for its follow-up season, let us tell you that you’re in for a disappointment. Not only is Special Ops 1.5 quite uninteresting and lacking in any real thrill, it is also bogged down by sloppy writing that is all over the place. There’s nothing novel, innovative or out of the ordinary in the screenplay or storytelling of Special Ops 1.5. It relies heavily on the concept of honey-trapping – which, in the world of espionage, and its new-fangled term sexpionage, is a concept as old as the hills.

The story careens across the world in a hazy, hasty manner. It’s as if the writers picked up an atlas and randomly ticked off a few exotic places to set the action in. One minute it’s in Delhi, the very next, in Srinagar, and then there’s no stopping its chaotic trajectory – Dhaka, Colombo, Russia, London, Serbia, Thailand, Kiev, Dubai – phew!

Messrs Banerjee (K.P Mukherjee) and Chaddha (Parmeet Sethi) stage a return this season, again acting as convenient conduits to facilitate the telling of the story in flashback. Special Ops 1.5 also has one of the most mediocre villains of recent times. Maninder Singh simply does not float our boat of thrill and thrall. He brings nothing to the table, except a grating irritation within us, irritation that rises by the minute.

The narrative throws about terms such as ‘Sparrow’ and ‘CIA- KGB double agent’ in a bid to appear intelligent and informed. But alas, it fails miserably in its endeavour. The action sequences are laughably amateurish and contrived. At no point in the show do they appear believable or convincing. And oh yes, the season ends on a surprise – paving the way for a new season.

Finally, at the risk of sounding repetitive, we are compelled to reiterate the obvious – Kay Kay Menon is the only redeeming factor of Special Ops 1.5.

Other Artists?

Sudhir Palsane and Arvind Singh’s cinematography in Special Ops 1.5 is eye-catching and enthralling. The show makes good use of terrific aerial shots in some places, and sweeping shots in others. The editing is average. Advait Nemlekar’s background score is too loud and on the nose for comfort. It rides roughshod over everything else, with the subtlety of a sledgehammer.

Highlights?

Kay Kay Menon

Decent cinematography

Drawbacks?

Sloppy writing

All over the place storyline

Unremarkable plot

Mediocre antagonist

Did I Enjoy It?

Not as much as I would have liked to

Will You Recommend It?

As a one-time watch, and for the sake of continuity, coz season 2 is coming soon after this mini-season 1.5

Special Ops 1.5 Review by Binged Bureau 

We’re hiring!

We are hiring two full-time junior to mid-level writers with the option to work remotely. You need to work a 5-hour shift and be available to write. Interested candidates should email their sample articles to [email protected]. Applications without a sample article will not be considered.