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Squid Game S3 Review – Slow, Stretched, but Emotional

By Binged Bureau - Jun 27, 2025 @ 09:06 pm
6.5 / 10
Squid Game S3 Review – Slow, Stretched, but Emotional
BOTTOM LINE: Slow, Stretched, but Emotional
Rating
6.5 / 10
Skin N Swear
Violence, Blood
Thriller

What Is the Story About?

So, the saga continues after what we saw in Season 2 where we witnessed a failed rebellion by the group. Though in the very end, we saw player 456 alive, he’s now a completely different person. With prior motivations, and now the added ones of betrayal, Seong Gi-hun is on a run to end it inside out. Jun‑ho also has his own set of motivation to figure the entire game out and stop his brother.

Performances?

Lee Jung-jae plays Gi-hun like someone who’s already lived through hell, and now walks right back into it. He doesn’t play the broken man with big breakdowns. Instead, he stays quiet, cautious, and heavy. Even in tense group scenes, his stillness pulls focus. And in the final moments, where he has to choose between revenge and redemption, the performance speaks without a speech.

Lee Byung-hun gets a lot more space this time around. As the Front Man, he isn’t just a shadowy puppet master anymore. You can see the weight on him. In scenes with Jun-ho, especially during their confrontation, there’s something brittle in his calmness. The power he once commanded now feels like a burden he’s desperate to protect.

Analysis

Squid Game Season 3 arrives with big expectations and a harder question: can a system built on exploitation be dismantled from within? The show tries to answer it—but instead of rushing, it sits with the discomfort.

The structure is tighter this time. Three main threads—Gi-hun inside the game, Jun-ho chasing truth outside, and the VIPs tightening control, run in parallel. And for the most part, that works. The games are still brutal, but now they come with deeper stakes. It’s not just about surviving, but about who you become in the process.

The moral dilemmas are clearer. Players vote to continue knowing the consequences. Mercy becomes rare. And you can feel the difference, especially in the way characters hesitate before turning on each other. A lot of the tension comes not from the games themselves, but from the choices people make when no one’s watching.

Gi-hun’s arc is especially well-handled. He’s no longer a passive player, he’s actively trying to undo the system. But the show doesn’t reward him with easy victories. His plans fail. His trust is broken. And in the end, his final choice isn’t framed as heroic, it’s painful, necessary, and irreversible.

Still, there are cracks. Some side characters get barely any depth, especially among the new players. Jun-ho’s storyline, while compelling, feels slightly undercooked compared to his presence in Season 1. And there are moments where the show leans too heavily into shock over substance.

But what Squid Game Season 3 does well is stay emotionally charged. The violence is less stylized now, it stings more. The set pieces are quieter, but they hold more weight. One mid-season game feels almost meditative until it doesn’t. The camera lingers on faces, not blood. And that shift is deliberate.

It’s not perfect. Some episodes drag. A few twists feel too engineered. But there’s a seriousness here that wasn’t always present before. The show is clearly trying to say something, not just about capitalism, but about complicity, fatigue, and how systems break people long before they break the rules.

In the end, Squid Game doesn’t promise justice, it offers a mirror. And this season, that mirror feels especially hard to look into.

Music and Other Departments?

The music in Squid Game Season 3 is no longer trying to be iconic, it’s trying to be invisible. And that works. The familiar orchestral flourishes from earlier seasons are scaled down, replaced with unsettling hums, low strings, and sudden silence. One mid-game sequence plays out with barely a note, letting the tension speak for itself. When the score does rise, it feels earned, especially in the final episode, where a quiet piano cue deepens the emotional punch without saying a word.

Visually, the show has evolved. The sets are still elaborate, but less playful, more grey than pastel. There’s a coldness in the lighting, a sense that even the game masters have lost their flair. The design now reflects the decay of the system itself. Game arenas feel more like holding cells than childhood memories, and that’s intentional.

Editing stays sharp for the most part. The pace drags slightly in the second act, but the cuts during the actual games are ruthless, often lingering just long enough to unsettle you. The show still knows how to build dread, not just through what it shows, but through how it shows it.

Costume and makeup departments also lean into realism. The blood looks real. The exhaustion looks real. And even the guards, once sleek and uniform, now feel like they’re barely holding the façade together.

This season doesn’t want to wow you with style—it wants to unsettle you with decay. And every technical choice supports that.

Other Artists?

Wi Ha-joon is back as Jun-ho and brings an edge of determination that’s quieter but stronger than before. He’s not chasing anymore, he’s watching, listening, calculating. His scenes feel like puzzle pieces clicking into place. There’s one moment, where he spots something he wasn’t supposed to see, and he doesn’t say a word, but you feel the shift instantly.

Kim Shin-rok as Geum-ja barely speaks but is impossible to ignore. Her body language, tight, defensive, alert tells you everything about her past. She’s not a side character. She’s an anchor in the chaos.

Han Yeri plays Jun-hee, the pregnant contestant, and every time the camera’s on her, there’s real fear in her eyes. But it’s not just about fear, there’s fire too. She’s not here to survive. She’s here to outlast.

Some of the newer players don’t get enough to do. A few fall into clichés. But the core cast holds it together and in a series full of spectacle, they’re the ones who keep it human.

Highlights?

Lee Jung-jae’s performance

More psychologically intense games

Kim Shin-rok and Han Yeri as supporting cast

Toned down theatrics, more emotional storytelling

Drawbacks?

Jun-ho’s arc deserved more screen (and more respect)

Over-engineered twists

Packing problem in the middle of the series

Did I Enjoy It?

Yes, it was a tidy bit underwhelming in terms of a finale… but was a good send off whatsoever.

Will You Recommend It?

If you are someone who followed the show, it’s a no brainer. But if not, what’s the point of reading the review… right?

Squid Game S3 Review by Binged Bureau

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