Category
Film
Tv show
Documentary
Stand-up Comedy
Short Film
View All
Genres
Action
Adventure
Animation
Biography
Comedy
Crime
Documentary
Drama
Family
Fantasy
Film-Noir
Game-Show
History
Horror
Kids
Music
Musical
Mystery
News
Reality-TV
Political
Romance
Sci-Fi
Social
Sports
Talk-Show
Thriller
War
Western
View All
Language
Hindi
Telugu
Tamil
Malayalam
Kannada
Abkhazian
Afar
Afrikaans
Akan
Albanian
Amharic
Arabic
Aragonese
Armenian
Assamese
Avaric
Avestan
Aymara
Azerbaijani
Bambara
Bashkir
Basque
Belarusian
Bengali
Bhojpuri
Bislama
Bosnian
Breton
Bulgarian
Burmese
Cantonese
Catalan
Chamorro
Chechen
Chichewa; Nyanja
Chuvash
Cornish
Corsican
Cree
Croatian
Czech
Danish
Divehi
Dutch
Dzongkha
English
Esperanto
Estonian
Ewe
Faroese
Fijian
Finnish
French
Frisian
Fulah
Gaelic
Galician
Ganda
Georgian
German
Greek
Guarani
Gujarati
Haitian; Haitian Creole
Haryanvi
Hausa
Hebrew
Herero
Hiri Motu
Hungarian
Icelandic
Ido
Igbo
Indonesian
Interlingua
Interlingue
Inuktitut
Inupiaq
Irish
Italian
Japanese
Javanese
Kalaallisut
Kanuri
Kashmiri
Kazakh
Khmer
Kikuyu
Kinyarwanda
Kirghiz
Komi
Kongo
Korean
Kuanyama
Kurdish
Lao
Latin
Latvian
Letzeburgesch
Limburgish
Lingala
Lithuanian
Luba-Katanga
Macedonian
Malagasy
Malay
Maltese
Mandarin
Manipuri
Manx
Maori
Marathi
Marshall
Moldavian
Mongolian
Nauru
Navajo
Ndebele
Ndonga
Nepali
Northern Sami
Norwegian
Norwegian Bokmål
Norwegian Nynorsk
Occitan
Ojibwa
Oriya
Oromo
Ossetian; Ossetic
Other
Pali
Persian
Polish
Portuguese
Punjabi
Pushto
Quechua
Raeto-Romance
Rajasthani
Romanian
Rundi
Russian
Samoan
Sango
Sanskrit
Sardinian
Serbian
Serbo-Croatian
Shona
Sindhi
Sinhalese
Slavic
Slovak
Slovenian
Somali
Sotho
Spanish
Sundanese
Swahili
Swati
Swedish
Tagalog
Tahitian
Tajik
Tatar
Thai
Tibetan
Tigrinya
Tonga
Tsonga
Tswana
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Venda
Vietnamese
Volapük
Walloon
Welsh
Wolof
Xhosa
Yi
Yiddish
Yoruba
Zhuang
Zulu
View All
Release year
2026
1900
Rating
Good
Satisfactory
Passable
Poor
Skip
Yet to Review
View All
Platform
Addatimes platform logo
ALT Balaji platform logo
Aha Video platform logo
Airtel Xstream platform logo
Amazon platform logo
Apple Tv Plus platform logo
Book My Show platform logo
Crunchyroll platform logo
Curiosity Stream platform logo
Discovery Plus platform logo
Jio Hotstar platform logo
Epic On platform logo
ErosNow platform logo
Film Rise platform logo
Firstshows platform logo
Gemplex platform logo
Google Play platform logo
GudSho platform logo
GuideDoc platform logo
Hoichoi platform logo
Hungama platform logo
Jio Cinema platform logo
KLiKK platform logo
Koode platform logo
Mubi platform logo
MX Player platform logo
Lionsgate Play platform logo
Manorama MAX platform logo
Movie Saints platform logo
Nee Stream platform logo
Netflix platform logo
Oho Gujarati platform logo
Planet Marathi OTT platform logo
Rooster Teeth platform logo
Roots Video platform logo
Saina Play platform logo
Shemaroo Me platform logo
Shreyas ET platform logo
Simply South platform logo
Sony LIV platform logo
Spark OTT platform logo
Sun NXT platform logo
TVFPlay platform logo
Tata Sky platform logo
Tubi platform logo
ULLU platform logo
Viki platform logo
Viu platform logo
Voot platform logo
Youtube platform logo
Yupp Tv platform logo
Zee Plex platform logo
Zee5 platform logo
iTunes platform logo
Other platform logo
ETV Win platform logo
Chaupal platform logo
Ultra Jhakaas platform logo
Tentkotta platform logo
Ultra Play platform logo
View All
Close icon
Search

The Hunt For Veerappan Review – Riveting Look At The Making Of A Bandit

By Binged Bureau - Aug 05, 2023 @ 09:08 am
6.5 / 10
The Hunt For Veerappan Review – Riveting Look At The Making Of A Bandit
BOTTOM LINE: Riveting Look At The Making Of A Bandit
Rating
6.5 / 10
Skin N Swear
Gruesome images of dead humans
Documentary, Crime

What Is the Story About?

Netflix’s true crime series ‘The Hunt For Veerappan’ is a detailed look at the rise, rule and eventual fall of ‘Forest King’ Veerappan, the most dreaded and elusive gangster of India. The docuseries delves deep into the mind and making of the dreaded gangster, through archival footage and numerous one-on-one chats with prominent people associated with Veerappan’s life and times, spread across four expansive episodes.

The Hunt For Veerappan is written by Forrest Borie, Apoorva Bakshi, Kimberley Hassett and Selvamani Selvaraj, and directed by Selvamani Selvaraj.

Performances?

The series features detailed and eye-opening chats with numerous real-life people prominently associated with Veerappan, including his widow Muthulakshmi, Special Task Force officers Tiger Ashok Kumar and Senthamangai Kannan, Forest Officer BK Singh, investigative journalist Sunaad, former members of Veerappan’s gang, a former LTTE operative, among others.

Analysis

Netflix’s The Hunt For Veerappan is by far the most detailed and most well-made true crime docuseries to come out of India. Netflix’s previous Indian original true-crime series, the Indian Predator series and House of Secrets: The Burari Deaths simply pale in comparison to The Hunt For Veerappan, with respect to the amount of research and detailed information the series offers. The narrative style is also much more taut, compelling and realistic, keeping one hooked to the series for its entire four hours runtime.

The meticulously-researched series delves deep into the mind of the dreaded criminal Veerappan, who shot dead at least a 1000 tuskers for ivory, butchered 184 people, including 45 policemen, smuggled millions of dollars’ worth of sandalwood, and kept special task forces of three Indian states constantly on their toes for more than two decades.

The series is a goldmine of information on how a poor, lowly youngster from the tiny village of Gopinatham became the Veerappan we know today. The Hunt For Veerappan also showcases stunning factual material of the dreaded smuggler – intriguing audio clips, revelatory video footage and vivid archival pictures of Veerappan’s life as the king of South Indian jungles.

The series also makes one ponder over the fact that no one is born a criminal. It is the prevailing socio-economic-political milieu and discriminatory systems in the country that compel the poor though spirited few to take to a life of crime – and flourish and thrive in it.

The most compelling character in the series ‘The Hunt For Veerappan’ — apart from Veerappan himself, obviously — is his widow, Muthulakshmi. She gives a seemingly honest, no-holds-barred account of her late husband’s crimes, his skirmishes with lawmen and life in the jungles with him. She paints him as the quintessential familyman, with a tenderness and child-like quality to him. Veerappan’s child-like quality is harped upon by several other people in the series, almost as if the makers want us to sympathise and empathise with the notorious bandit.

Realising this, and wanting to present a balanced take on the criminal, the writers take great pains to depict the animal-like brutality that Veerappan came to be known for. The episode showing Veerappan’s barbaric murder of forest officer P Srinivas is especially affecting, complete with authentic pictures of his beheaded and mutilated body.

Along with showcasing the gut-wrenching brutality that characterised Veerappan’s mythical rise, The Hunt For Veerappan doesn’t shy away from casting a harsh spotlight on the equally barbaric tactics and abuse of power by Indian police forces. An entire episode recounts, in great detail, how the Karnataka police operated a torture chamber, nicknamed the “workshop”, where they routinely herded innocent villagers and tortured them to glean information on Veerappan’s whereabouts.

Controversial Special Task Force Officer Shankar Bidari comes in for special criticism in the series, for his acts of torturing villagers, setting fire to hundreds of villagers’ homes, and beating innocent men to death. Not just that, he slammed the notorious TADA act on upwards of 1000 villagers, none of which is officially documented. Curiously, The Hunt For Veerappan doesn’t feature an interview with Bidari, a missed opportunity by any standard.

An entire episode is also devoted to Veerappan’s misguided plunge into social activism, his connivance with LTTE agents, and his relatively well-documented kidnap of venerated Kannada superstar, Dr Rajkumar. Towards the final two episodes of the series, the makers again tilt the balance in Veerappan’s favour, giving a sympathetic flavour to the entire narrative. This is a problem specific to true-crime documentary series. In recounting the life of a superhero-ish criminal, and trying to understand why he is the way he is, the creators end up glorifying him and his deeds on screen, painting him in strokes of larger-than-life invincibility, that can only be subdued by deceitful means – just like it took deceit to draw Veerappan out of his forested fiefdom and execute him at close range.

To sum it up, The Hunt For Veerappan is gritty, compelling, and definitely a must-watch.

Music and Other Departments?

Jhanu Chanthar’s background music is ominous and foreboding. The baleful music perfectly complements the intriguing story that unfolds on screen. Udit Khurana’s camerawork is the star of the show. The terrific aerial scenes, coupled with sweeping, wide-angle shots of the dark, impregnable forests, often shrouded by a dense forbidding haze, give the best clue as to how his impermeable fiefdom helped Veerappan elude highly skilled STF and BSF officers for more than twenty years. Ajit K Nair, Jack Price and Weston Currie’s editing is excellent, and lends crispness to the narrative.

Highlights?

Well made, well written and meticulously researched series

Top notch technical aspects

Drawbacks?

Tends to glorify and lionise its subject

Did I Enjoy It?

Yes

Will You Recommend It?

Yes

The Hunt for Veerappan Series Review by Binged Bureau

We’re hiring!

We are hiring two full-time junior to mid-level writers with the option to work remotely. You need to work a 5-hour shift and be available to write. Interested candidates should email their sample articles to [email protected]. Applications without a sample article will not be considered.