Becoming increasingly popular these days, documentaries present a different perspective to stories and bring to the fore tales of the unheard. With expanding audiences for the format and streaming platforms like Netflix making them more accessible, documentaries have broken out from being occasional or festival interests. Netflix now brings the genre closer to fans with ‘Decoding Documentaries’ – a panel discussion where fans were let into some insights about the creative process of docu-making from some of the best content creators.
Claire Cahill (Series Producer, Crime Stories: India Detectives), Dylan Mohan Gray (Director, Bad Boy Billionaires), Leena Yadav (Showrunner, House of Secrets: The Burari Deaths) along with Tanya Bami (Director, International Originals, Netflix India) came together on a panel to discuss what brings them close to the genre of documentaries and unseen journeys they explore as they bring to life some breathtaking stories.
Talking about the pre-production that ‘Crime Stories: India Detectives‘ required, Claire Cahill said, “Crime Stories: India Detectives took almost 3 years to be made. Our first trip to Bangalore was in 2018, when we started conversations with the commissioner who was very responsive about making a series that followed live investigations. These conversations progressed and we obtained all the necessary permissions over a period of 18 months, our filming period was over 5 months. The process of gaining trust and having conversations with all the necessary parties in order to cover an investigation in the way that we did involved an enormous amount of work.”
About the planning and research that went on, Dylan Mohan said, “So much of what we do in documentaries is about creating relationships of trust with different kinds of people. I understood the importance of diversity of voices and to allow the audience to triangulate what they feel about the story. During my research I realized that the story is quite different from the one that was put out there, it’s much more complex than that. The story is about many other things, it touched upon so many interesting aspects of Indian culture and society, this to me was very fascinating.”
Leena Yadav on the difficulties to get people involved in an incident as part of a docu-series said, “Those were very difficult conversations, I must admit. But I will always remember a beautiful incident that happened, while we were interviewing the family members, one of them came up to me and thanked me saying that this was like therapy for him. This is when I felt as if we’re doing the right thing. We covered a total of 400 hours of interviews and having those conversations were definitely difficult and emotionally draining but this has been a big learning for me.”
Tanya Bami however, gave her take on what motivates Netflix to foray into the genre and said, “It is magical to sit in a room with a creator who has a vision and to go through that experience through their eyes. Netflix strives to bring creative excellence by enabling their vision and offering a window to reach audiences in 190+ countries. We want to tell stories that are authentic and relevant. It’s all about finding that unique story that has resonance within India, a distinct vision and an engaging creative take. When a story is good and compelling, it finds an audience anywhere in the world.”
Watch their intriguing labours of love, ‘Crime Stories: Indian Detectives’, ‘House of Secrets: The Burari Deaths‘, ‘Bad Boy Billionaires‘ and much more exclusively on Netflix!
We’re hiring!
We are hiring two full-time junior to mid-level writers with the option to work remotely. You need to work a 5-hour shift and be available to write. Interested candidates should email their sample articles to [email protected]. Applications without a sample article will not be considered.
