Utilizing the impressionistic techniques of IN THE CITY OF SYLVIA (if SYLVIA was a riff on the “city film,” the more miniaturized MEMORIES might be termed a “street-corner film”), Guerín uses a disturbing incident in his Barcelona neighborhood to thread together a rich tapestry on music, culture, community, the fragility of life, and the tenacity of life.
Hey,
Tell us if something is not working for you at Binged or suggest an improvement or new feature.
