Apathetic landscapes, bursting light, some bird and the window to the tallow-laden living room with patterned wallpaper and irrelevances. Cut. Tenacious sequence shots bloat moments to impasses and shatter their shaky audience. Thundering leitmotifs – like German disinterest in endless frenzy – without backrest and lederhosen. Black-red-golden at full throttle, cinema is dead.
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