The film has a dual focus. First, portrait of a young artist, Nathaniel Kaz, at the brink of a successful career in sculpture. Second, a visual treatise on his sculpture. The work shows the merging of the artist’s life-style and philosophical approach to his work, with views of his sculpture in the context of his Brooklyn studio. At the time of filming, Kaz was approaching his fortieth year. — (per Kaz.)
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